Car photography is a highly challenging genre that requires many of the qualities associated with being a good photographer. It requires a good eye for composition, an intuitive grasp of lighting, and the ability to pre-visualize how a photograph might look. It also requires a large degree of technical knowledge as there is no way for you to move closer to your subject; if you can’t fill the frame with car and background in one shot, you’ll need several shots and some Best lenses to make everything work together.

Car Photography 35mm vs 50mm:

When it comes to car photography, there are two main lens options: 35mm and 50mm. Each has its strengths and weaknesses, and the best choice for a given photographer will depend on their specific needs and goals.

35mm Lenses:

35mm lenses are typically wider than 50mm lenses, which gives them a greater field of view. This can be helpful when photographing cars in tight spaces or when trying to capture a wide expanse of background scenery. However, the wider field of view can also make it more difficult to isolate a subject, and distortion is more likely at the edges of the frame.

50mm Lenses:

50mm lenses have a narrower field of view than 35mm lenses, but this can be advantageous when photographing cars. The narrower field of view allows the photographer to isolate the subject more easily, and the lack of distortion makes the vehicle look more natural. In addition, 50mm lenses tend to produce sharper images than 35mm lenses. However, the downside is that 50mm lenses can be more difficult to use in tight spaces, and they may not be able to capture as much of the background scenery as a 35mm lens. Ultimately, the best lens choice for car photography will depend on the specific needs and goals.

Top-Rated Best lenses for car photography

It isn’t easy to find the lens for car photography. Also, not everyone wants to spend a lot of money on this kind of photography. So here This list is for those who want to get the Best lenses for professional shots out of your car photography.

  1. Tamron Full Frame E Mount 28-75mm F/2.8 Lens
  2. Sony SEL85F18 Medium 85mm F/1.8-22 Lens
  3. Canon EF 50millimetres f/1.4 USM Telephoto Lens
  4. Nikon AF-S Nikkor 50millimetres f/1.8G Lens
  5. Samyang SYIO3514-E AF 35mm f/1.4 Lens
  6. Sigma 18-35mm F1.8 Art DC HSM Lens
  7. Fujifilm XF55-200mmF3.5-4.8 R LM OIS Lens
  8. Xenvo Pro Lens Kit Macro and Wide Angle


Tamron Full Frame E Mount 28-75mm F/2.8 Lens


  • Type: Telephoto Zoom Lens
  • Focal Length: 28-75mm
  • Maximum Aperture: f/2.8-22
  • The angle of View : 34°50′ – 12°20′
  • Minimum Object Distance: 0.27 m / 0.9 ft
  • Internal focusing: Yes
  • Maximum magnification: 1:3.6
  • Filter Size: 77mm
  • Dimensions: 83 x 144 mm


Tamron 28-75mm F2.8 Di III RDX Lens is lightweight, has a solid all-metal construction, weather sealing, fast autofocus, and is sharp. This new Tamron 70-200mm f2.8 lens for Sony E-mount full-frame cameras. So it has an ultra-wide zoom range of 24–70 mm. It covers the portrait to the short telephoto field of view. Moreover, the lens allows you to explore the creative side of photography with beautiful background blur. Thanks to its bright maximum aperture of F2.8 throughout the entire zoom range.


The lens is equipped with large-aperture, low dispersion glass with a 28–75 mm focal length. Thanks to Tamron’s unique eBand Coating, it is possible to achieve excellent flare control. In addition, the autofocus features a special mechanism for smooth operation that ensures the necessary rigidity, resulting in quiet and high-speed autofocus even when shooting macro shots.

Tamron’s VC system works so well you can run this lens wide open all day because it will stay sharp at F2.8 thanks to the built-in stabilizer, which is a big plus! The lens also includes a macro mode for those who want to get as close as possible with their artistic shots.

The Tamron 70-200mm F2.8 Macro Lens for Sony E Mount is a lightweight, compact full-frame telephoto zoom lens that delivers high performance and reliability with its fast F/2.8 aperture throughout the entire zoom range from 70mm up to 200mm with an f/32 minimum aperture at 200mm.

This new addition to Tamron’s award-winning SP series features a brand new optical system. It uses three LD elements with one XLD element, resulting in superior image quality across the entire zoom range with improved peripheral brightness and reduced chromatic. So, for sure, it’s better than its predecessor, the Tamron 70-200mm F/2.8 Di VC USD Lens. In addition, this lens is also equipped with an eBand coating on the BBAR (Broad-Band Anti-Reflection) Coatings that results in better light transmission, reduced ghosting, and flare.

The Vibration Compensation (VC) mechanism compensates for sharpness blur caused by camera shake. In short, the VC is built into this lens to allow handheld shooting of distant subjects. With up to 4 stops of stabilization performance. You get super sharp images even while using telephoto zoom! In addition, the longer focal length of 200mm will make it easier to shoot indoors without a flash since you can be further away from your subject without losing any image quality.

Final Thoughts

Overall, this is a great lens! I was skeptical about the quality of low-cost lenses, but Tamron has proven that these new high-end lenses are fantastic. This is a compelling option for those who need a fast F/2.8 telephoto zoom with optical image stabilization. And superior performance throughout its focal range. In addition, this new lens from Tamron gives you more shooting flexibility without your wallet taking a huge hit.


  • Large aperture
  • Fast and Sharp AF
  • More value for less money
  • Lens hood included
  • Great low light performance


  • No weather sealing
  • No image stabilization

Sony SEL85F18 Medium 85mm F/1.8-22 Lens


  • Mount Type: Sony E Mount Lens
  • Focal Length: 85mm
  • Maximum Aperture: f/1.8-22
  • The angle of View: 28°30′ – 18°10′
  • Minimum Object Distance: 1.48 ft / 0.45 m
  • Filter Diameter: 62 mm
  • Dimensions (DxL): Approx. 70 x 55 mm / 2.75 x 2 in
  • Weight: Approx. 191 g / 6.74 oz
  • Diaphragm Blades: 13 blades


The Sony SEL85F18 is the first E-mount medium telephoto system lens. Also, it comes with a focal length of 85mm and an aperture of f/1.8. As a result, this lens is extremely sharp at all F-stops. Further, it offers fantastic performance due to its 13 blades. On the other hand, a circular aperture diaphragm makes out-of-focus highlights appear round even when shooting wide open. In addition, these new lenses are lightweight, fast focusing, has great contrast, clarity, and color rendition. In short everything, photographers desire their best images.


The SEL85F18 new lens provides almost the same match to the Sony 56mm F/1.4 and Sony 85mm F/1.4 lenses and works well as a Lens For Astrophotography. Thus, those who need a backup or want an extra lens to add to their collection without breaking the bank!

This lens has hybrid aspherical, extra low-dispersion elements and BBAR (Broad-Band Anti-Reflection) Coatings. It helps to deliver ultra-high resolution and minimum distortion. In other words, you get the best sharpness possible from wide open to life-size. The SEL85F18 ensures you don’t use any additional software or sharpening tricks. This makes it an ideal choice for photographing architecture, wedding photos, portraits, etc. Its compact size, fast f/1.8 maximum aperture, Optical SteadyShot image stabilization system.

The 85mm are great for shooting portraits offering shallow depth of smooth field bokeh. And beautiful contrast produces excellent image quality. The fast aperture makes it easy to capture difficult-to-focus shots. In short, you can get sharp images even when shooting wide open at f/1.8-22. Further, its 13 aperture blades allow light into your camera, resulting in wonderfully blurred backgrounds.

In addition, with its built-in Optical SteadyShot (OSS) image stabilization. So you get the flexibility to handhold this lens and shoot at slower shutter speeds with outstanding results.

The OSS will compensate for the camera shake. Simultaneously, you can shoot sharp images throughout the entire focal range. The new Sony 135mm F/1.8 is a medium telephoto prime that offers a professional quality of construction. And its superior performance in a compact design that’s less than 6 inches long and weighs 1.7 pounds.​

Final Thoughts

This Sony SEL85F18 85mm F/1.8 lens is compact. Plus, it’s lightweight, fast focusing, has great contrast, clarity, and color rendition. In short, in a small package, the lens has everything desire for your best shots. It offers shallow depth of field, smooth bokeh, and beautiful contrast. In addition, it produces excellent image quality with its built-in Optical SteadyShot (OSS). Meanwhile, image stabilization lets you handle slower shutter speeds with outstanding results.


  • Compact and lightweight
  • Sharp images even when shooting wide open at F1.8-22
  • Great contrast, clarity, and color rendition
  • Offers shallow depth of field and smooth bokeh
  • Delivers outstanding results
  • OSS image stabilization system


  • No climate sealing
  • Only compatible with Alpha mirrorless cameras

Canon EF 50millimetres f/1.4 USM Telephoto Lens


  • Lens Mount: Canon EF
  • Focal Length: 50 mm
  • Aperture (Max): 1/1.4
  • Aperture (Min): 32
  • Diagonal Angle of View: 28°50’°
  • 35mm Film Equivalent: 75mm
  • Format Compatibility: 35mm Film / Full-Frame Digital Sensor
  • Construction Elements/Groups: 11/9


The Canon EF 50mm is Telephoto Lens with a standard focal length lens. So it offers the best image quality possible with today’s technology. It features fast, quiet autofocus, high maximum aperture for low-light performance, and simple manual focus operation. The optical design of this lens incorporates three “F” Low Dispersion (FLD) glass elements and one Ultra-low Dispersion (UD) glass element. So it realizes high resolution from the center of the image to the corners. In addition, super Spectra lens coatings dramatically reduce ghosting and flare.


The 50mm focal length is ideal for portraiture, weddings, or any subject. So it helps you at a place where you need a little extra working distance. For example, it can be helpful in group shots to avoid getting others in the background. At the same time, it also lets you move farther from your subject without compromising sharpness.

Canon EF 50mm f/1.4 USM Telephoto Lens is the best lens if you’re on a budget. It’s top of its class in image quality. Further, It will give you excellent results without breaking your bank account. So we can say it’s one of the most inexpensive prime lenses for Canon full-frame DSLR cameras.

It’s also very popular among photographers that shoot portrait and wedding photography. But, even the lens benefits many other photography types. For example, if you are into photojournalism and street photography. This lens is the best for good image quality in a telephoto focal length. But you don’t need to zoom. It will make a great addition to your lens collection. So, we highly recommend it to both beginner and professional photographers alike.

The 50mm focal length incorporates one high-precision aspherical element. It also features a circular aperture diaphragm for beautiful defocused background effects. In addition, a floating optical system allows excellent delineation. Yet at all focusing distances.

The Ultrasonic Motor (USM) enables fast and quiet autofocusing. So it is ideal for video applications and still photography. In addition, an inner focusing system means the lens does not extend during focus. Hence, it’s user-friendly when shooting close-up images such as macro photography or product shots.

Final Thoughts

The EF 50mm is a Telephoto Lens that will give you nice sharp images. Plus, It’s a great all-purpose lens for full-frame DSLR cameras and versatile. Therefore, you can shoot both distant subjects and close-ups with equal ease. In addition, the optical construction makes it ideal for portraiture, weddings, or any subject where you need a little extra working distance, such as group shots.

Canon EF 50mm f/1.4 USM Telephoto Lens is one of the top recommended lenses. The new generation of professional photographers who want an inexpensive lens will go to love Canon EF. It offers superior image quality compared to other lenses within its price range.


  • Small size
  • Affordable price
  • Great image quality
  • Fast and silent autofocus operation


  • Stabilization would be nice

Nikon AF-S Nikkor 50 millimetres f/1.8G Lens


  • Focal length: 50mm
  • Maximum aperture: f/1.8
  • Minimum aperture: f/16
  • Lens construction: 7 elements in 6 groups
  • Picture angle: 46°
  • Diaphragm blades: 7 (rounded) Filter
  • size: 52mm
  • Dimensions (D x L): Approx. 73x55mm
  • Weight: 200g


The Nikon AF-S Nikkor 50 millimeters f/1.8G lens is a standard prime lens for full-frame and crop sensor DSLRs. Even you can use the lens with the Nikon 1 series mirrorless cameras with an adapter.

The 50mm focal length is popular as it approximates our natural human vision, which has roughly a field of view of 55mm (on a 35mm camera). It’s neither wide nor tele, but it offers some flexibility as you move closer or further away from your subject. You’ll need to step back more if you want wider shots and start moving forward if you want tighter ones – just like we do in real life. It’s not confusing at all!


You launched this particular model in 2009, which is quite old by now. But it’s still part of the current Nikon 50mm lineup. The lens is also known as AF-S Nikkor 50mm 1:1.8G. That’s why it ships with a “D” letter in its official designation, signifying that its lenses have an aperture ring. So, the users can set the lens with the desired f-stops manually.

The optical design is made of 7 elements arranged in 6 groups and comprises 8 diaphragm blades. With a size of 73x55mm and a weight of only 200g, this lens is tiny and lightweight – a real beauty!

The lens construction quality looks decent and reliable: plastic barrel with a metal mount. It’s also very easy to operate both controls of this optic since they are not too stiff or too loose. The filter thread size is 52mm.

Since this lens has optical image stabilization (VR), it’s capable of reducing camera shake in low-light situations. So you can achieve sharper results when shooting handheld. Furthermore, the VR unit offers an additional benefit in making your subject stand out better against the background. So you can create smooth and pleasing portrait photographs with blurred backgrounds.

The Nikkor 50mm is currently one of the market’s cheapest lenses. Plus, it has an f/1.8 maximum aperture. Yet, being a typical standard prime, it also offers pretty decent specifications for that price, including fast autofocus technology developed by Nikon called SWM (Silent Wave Motor).

Final Thoughts

The AF-S Nikkor 50mm is an excellent choice for photographers looking for a great prime optic. But it has an affordable price tag and high image quality. Moreover, this model was in production in 2009. Yet, it doesn’t make its age even slightly felt when used.

The lens is not weather-sealed. But it’s still capable of coping with harsh conditions on the field if you want to share your images online or in print. With a useful focal length of ~80mm on DX cameras, this optic is a great tool for various purposes.

I highly recommend this lens, especially if you’re starting with DSLR photography and need a decent standard prime that doesn’t give up much while delivering great shots!


  • Sharp and contrasty images
  • Minimal chromatic aberrations
  • Affordable price for a fast lens
  • Compact and lightweight design
  • Excellent optical performance


  • Plastic construction
  • “D” variant has no aperture ring

Samyang SYIO3514-E AF 35mm f/1.4 Lens


  • Focal Length: 35mm
  • Maximum Aperture: f/1.4
  • Minimum Aperture: f/16
  • Lens Construction : 11 Elements in 9 Groups
  • Number of Diaphragm Blades : 7 pcs
  • Max. Magnification Ratio : 1:6.1 (35mm)
  • Minimum Focusing Distance : 0.3m / 1ft.
  • Filter Size : 77mm
  • Dimensions : 3.1 x 2.8 inch (HD) / 77 x 72mm
  • Weight : 11.8 oz / 331g


The Samyang SYIO3514-E AF 35mm f/1.4 Lens has a particularly bright maximum aperture. So it enables easier focusing and shallow depth of field photography. At the same time, you get greater control in low ambient light conditions. Further, Aspherical lenses ensure outstanding image quality throughout the entire range from corner to corner. Moreover, the Ultra Multi-Coating reduces flare and ghosting. So it provides higher contrast images even at maximum aperture. Last but not the least, It weighs 11.8 ounces and measures 3.1 x 2.8 inches (HD).


The Samyang SYIO3514-E AF 35mm You can use an f/1.4 lens with APS-C and Four Thirds Digital SLR cameras. It accepts 77mm filters. The lens has many compatible cameras, including digital SLR models with an APS-C sensor, 36 x 24mm in size. It has a large max aperture of f/1.4. So focusing is simpler and more convenient, even in very low light conditions.

Its advanced optical construction uses aspherical lenses known for their superior imaging performance. On the other hand, Ultra Multi-Coating reduces flare. And ghosting provides higher contrast images even at maximum aperture. It weighs 11.8 ounces and measures 3.1 x 2.8 inches (HD). You can use the lens used with APS-C and Four Thirds Digital SLR cameras.

A removable petal-shaped lens hood is included, along with a rear cap. The cap offers great quality protection when the lens is not in use. It is a truly high-level device for enthusiasts and professionals’ needs.

The optical design comprises 11 lens elements in 9 groups. Two elements are aspherical lenses, known for their superior imaging performance. Meanwhile, The multi-layer anti-reflection coating reduces flare and ghosting, providing higher contrast images even at maximum aperture. In addition, the use of an iris diaphragm with seven rounded blades contributes to a pleasing bokeh effect.

The round shape also ensures smooth focus areas in both photos and videos. Its minimum focusing distance is 0.3m / 1ft. As a result, you get a maximum magnification ratio of 1:6.1 (@35mm). This macro performance enables close-up photography, ideal for portraiture or more artistic shots of landscapes, still life, and more.

Its large maximum aperture of f/1.4 enables easier focusing and shallower depth of field photography. At the same time, you get greater control in low ambient light conditions. The optical design uses 11 lens elements divided into 9 for high image quality. So you can easily zoom from corner to corner. In addition, a built-in petal-shaped lens hood. So it minimizes flare or unwanted reflections, which can adversely affect image quality.

Final Thoughts:

Samyang SYIO3514 is ideal for many different types of photography, including portraits and traveling. This is because it provides high-quality images in low-light conditions. It also offers great value for money since you get a macro lens in the 35mm range. As a result, it is versatile enough to use for almost any purpose.

It’s a very nice lens. The quality of the pictures for this price is amazing. I love the quiet autofocusing. And the weight of this lens is just right for everyday use, not too heavy or light. It also has a detachable hood which prevents glare and flares from entering the sensor area.


  • Very fast autofocus
  • 7 aperture blades
  • Great Price
  • Nice bokeh
  • Accepts 77mm filters


  • Not weather sealed
  • Lens cap can sometimes be difficult to attach

Sigma 18-35mm F1.8 Art DC HSM Lens


  • Focal Length 18-35mm
  • Maximum Aperture: f/1.8
  • Minimum Aperture: f/16
  • Minimum Focusing Distance: 11″ (28 cm)
  • Filter Size: 82mm (non-rotating)
  • Dimensions (Diameter x Length): 3.4 in. x 4.6 in. (86.4 mm x 116.8mm)
  • Weight: 30 oz (850 g)


The Sigma 18-35mm F1.8 Art DC HSM Lens is a wide-angle zoom lens used with APS-C cameras. Plus, it has an effective focal length of 27.5-52.5mm when used with Canon APS-C DSLR’s for example. This lens has an APS-C sensor in full-frame mode on a full-frame Canon camera or Sony A7 series camera.

The focal range becomes 36mm to 63mm, which is more similar to a “normal” standard prime lens’ focal length rather than what one would expect with an APS-C only zoom lens. The maximum aperture is f1.8. And the focus range makes for better shooting capabilities in low-light situations and provides shallow depth of field (DOF) effects.


The lens is constructed with a Thermally Stable Composite (TSC) material and brass components. So, together, the components make this lens have a solid feel, high durability, and precision. Overall, your focusing improves. Sigma’s “Art” line of lenses is designed for professional purposes. That’s why you get exceptional image quality.

The lens has FLD (“F” Low Dispersion), SLD (“P” Aspherical), and FLB (“F” Low dispersion) glass elements. In addition, the lens has been engineered with HSM (HyperSonic Motor), which provides fast, quiet autofocusing. This lens also has internal focusing capabilities. So, when using a polarizing filter or other accessories on the front of the lens. Yet you will not rotate when in use.

The newly released Sigma 18-35mm F1.8 Art DC HSM Lens. Also, it is very affordable when you consider proficient lenses. Yet the lense offers you similar specs that are typically much more expensive than this one. Compared to similar lenses from Canon and Sony, for example, this one holds its own against them quite well. But cost-wise, the Sigma is less expensive to purchase.

The Sigma 18-35mm F1.8 Art DC HSM Lens is for Canon, Nikon, and Sigma mounts. The lens comes with a 1-year warranty from Sigma. The optical construction has 15 elements in 12 groups Three FLD (“F” Low Dispersion) glass elements, two SLD, and three FLB have been used in the optical design. In addition to this, the lens has seven rounded aperture blades. So it allows the background blur to be very pleasing even when stopped down at small apertures. This also helps to create a good bokeh effect when shooting out-of-focus areas.

Final Thoughts

The Sigma 18-35mm F1.8 Art DC HSM Lens is a well-built, high-performance lens for an APS-C camera. It’s very versatile and provides good image quality and good low-light capabilities.

The Sigma 18-35mm lens is suitable for video applications Thanks to its fast f1.8 maximum aperture.

You can achieve smooth and accurate background defocus. But for that, the focus ring is pulled back to manual focus mode during Live View Mode shooting. Sigma has a full-time manual focusing capability in mind because of this feature alone. So, you can make fine focus adjustments while shooting the video.


  • Affordable price
  • High build quality and materials
  • Nice bokeh effect
  • Fast-focusing
  • Can shoot in low light


  • Only for APS-C cameras
  • Some light falloff at the widest aperture

Fujifilm XF55-200mm F3.5-4.8 R LM OIS Lens


  • Construction 17 elements in 12 groups
  • Maximum aperture F3.5 – 5.6
  • Minimum aperture F32
  • Coating Multi-layer coating
  • The angle of view: 75°-12° 30′
  • Number of Diaphragm Blades: 9
  • Minimum focus distance: 0.5 m
  • Filter size: 62 mm
  • Maximum diameter x length: 83mm x 110mm
  • Weight: 397g


The Fujifilm XF55-200mm telephoto zoom lens with a 55-200mm focal range. Thus, it provides an angle of view equivalent to the 76-300mm lens on a 35mm camera. It is exclusively for X Mount interchangeable lens cameras. You can use the lens with Fujifilm’s X Pro 1 and XM1 models.

The XF55-200mm lens is a versatile photographic tool, So it helps you capture subject matter at a distance, from near to far. It offers users the closest focusing distance of only 0.5m. And You can shoot comfortably from a wide variety of shooting angles – resulting in excellent photographic results.


The Fujifilm XF55-200mm F3.5-4.8 R LM OIS Lens incorporates 15 elements in 10 groups. Plus, it includes one aspherical element and four ED elements. As a result, it helps to assure sharpness and correct chromatic aberration throughout the entire zoom range. Yet, it effectively compensates for any distortion that might occur in a shoot by enhancing resolution at the center and suppressing it.

In turn, at the periphery, it delivers sharpness and contrast with less distortion than conventional designs. Further, This lens is has a multi-layer coating to optimize light transmission for each lens element. The coatings also enhance color reproduction by helping to deliver clear, natural images.

For optical image stabilization (OIS), the XF55-200mm F3.5-4.8 R LM OIS uses four built-in gyro sensors. These sensors detect camera shake at horizontal, vertical, and diagonal angles on the axis. So you get correction up to 5 stops of shutter speed slower. Otherwise, it will be possible without blur from the camera shake. It ensures image blur caused by camera shake is drastically reduced, even in low-light conditions. And this makes it possible to significantly reduce the size and weight of the lens itself without compromising its optical performance.

The design features three aspherical elements for correct lens geometry. So it ensures high image quality throughout the zoom range. As a result, you get incredible images throughout the focal length – from ultra-wide-angle views at 55mm to telephoto at 200mm.

The Fujifilm XF55-200mm F3.5-4.8 R LM OIS Lens also uses two linear motors. Thus, the autofocusing power of the lens is four times greater than conventional designs. This ensures AF performance speeds are more than twice as fast as those found in the original XF55-200mm. Moreover, the AF is nearly as fast as the XC16-50mm F3.5-5.6 OIS II Kit Zoom. Hence, You can easily capture high-speed sports or other moving subjects with clarity and precision.

The new lens also offers a minimum focusing distance of just 0.5m throughout its zoom range. So, it is an effective choice for studio photography too. And This makes the Fujifilm XF55-200mm F3.5-4.8 R LM OIS Lens ideal for shooting portraits.

Final Thoughts

The Fujifilm XF55-200mm F3.5-4.8 R LM OIS Lens is perfect for portrait and sports photography. It is very lightweight and compact in design, making it easy to carry everywhere you go. So it’s great for everyday use. Whether you’re shooting landscapes, portraits, action, or anything else, the lens will hold you. This lens is typically used with the Fujifilm X-T1 camera, but You can use it with any X Mount interchangeable lens camera.

The 55-200mm telephoto zoom lens is also very good for video recording because it has an Optical Image Stabilizer. As a result, continuous shots are still possible when shooting video at all focal lengths. In addition, the optical image stabilization. So it ensures your footage looks great even if you’re walking while recording. Overall, the Fujifilm XF55-200mm lives up to its price tag.


  • Sharp Images
  • Lightweight and Compact
  • Fast Autofocus Performance
  • Optical Image Stabilizer
  • Weather and dust resistance design
  • High image quality throughout the focal range


  • No weather sealing
  • Plastic Body

Xenvo Pro Lens Kit Macro and Wide Angle Lens


The Xenvo Pro Lens Kit is a must-have for anyone serious about car photography. The kit includes a wide-angle lens, macro lens, and LED light, which will help you take amazing photos of your car. The wide-angle lens is perfect for capturing expansive shots of your car, while the macro lens allows you to get close-up details that you would otherwise miss. The LED light is great for illuminating your subject in dark environments, ensuring that you always get the perfect shot. The kit also comes with a travel case and lanyard, making it easy to transport and protect your lenses.


The Xenvo Pro is a high-quality camera lens attachment that helps you take better pictures. The lens is made from aircraft-grade aluminum and premium optical glass. It is coated with a multi-element that helps minimize ghosting, reflections, lens flare, and other artifacts. The Xenvo Pro also has a phone case with a built-in tripod mount. So you can easily attach it to your phone and take pictures without holding your phone. With the Xenvo Pro, you’ll be able to take better pictures of people, pets, travel scenery, landscapes, architecture, selfies, and more.

If you’re a car enthusiast, you know that getting the perfect shot of your beloved vehicle can be a challenge. Finding the right lens is essential, whether you’re trying to capture the sleek lines of a sports car or the rugged beauty of an off-road SUV. That’s where the Xenvo Pro CLARUS 15x MACRO LENS comes in. This lens is designed specifically for car photography, and it lets you get up close and personal with your subject. With its 15x magnification, you can capture all the details and intricacies of your car in stunning detail.

Have you ever taken a picture only to find that it’s blurry or dark? With the Xenvo Pro GLOWCLIP, you can say goodbye to those frustrating photo “retakes” and hello to brilliant photos the first time. The GlowClip LED light clips ANYWHERE on your phone to instantly illuminate your subject and surroundings with warm continuous light. The bright LED light is superior to your smartphone’s built-in flash—which can be blinding and unnatural—especially in darker settings and venues. And with three brightness settings (Low, Medium, and High), you can easily adjust the light to get the perfect shot every time.

Final Thoughts:

The Xenvo Pro Lens Kit is a must-have for anyone serious about car photography. The wide-angle lens, macro lens, and LED light will help you take amazing photos of your car, while the travel case and lanyard make it easy to transport and protect your lenses. With the Xenvo Pro, you’ll be able to take better pictures of your car than ever before.


  • Wide-angle lens for expansive shots
  • Macro lens for close-up details
  • LED light for illumination in dark environments
  • Travel case and lanyard for easy transport and protection


  • It May be too bright for some users

Dash cam or DSRL with Lens? which is the better option for the trucker?

There’s no simple answer to this question – it depends on your specific needs and preferences. However, we can give you some things to consider that may help you make your decision.

dash cam is probably the better option if you’re primarily concerned with safety. Dash cams provide a clear view of the road ahead and can be a valuable tool in documenting accidents or incidents. They can also help you keep an eye on your surroundings while driving and help spot potential hazards.

On the other hand, if you’re more interested in capturing high-quality photos and videos, a DSLR with a lens is probably the better option. This is because DSLRs produce much higher-quality images than dash cams and can be used to capture beautiful scenery or interesting moments that you may want to share with others.

Ultimately, the best option for you will depend on your specific needs and preferences. If safety is your top priority, go with a dash cam. If you’re more interested in photography and videography, go with a DSLR. And if you’re somewhere in the middle, you may want to consider getting both!

Car Photography Tips:

There is much more to great car photography than photographing shiny, expensive machines (although that certainly helps!).

Here are some pointers to assist you in your search for excellent automobile photography:

When shooting cars, you should always use available light for the best results. If that’s not possible, you can shoot with studio lighting if it feels right for the shot you want. Remember that people will be able to see your photograph at its absolute worst (no matter how bad your photo is). So take advantage of the good mentioned photography factors to win every chance you get!

Composing Pictures

Composition takes perfect, but even a basic eye for photographic composition. So it will help enormously when taking pictures of cars. Naturally, many things have already been said about good composition, but here are a few key points to consider when capturing car photos.

Where to Position the Car

The rule of thirds works for car photography, too, so try positioning your car centrally or off-center if there are other objects in the image. You will draw your eye to it more easily. Be aware that you can’t move around your subject as much as normal. But you can zoom in and out with telephoto lenses, which is one way of getting closer or further away from your main subject.


Try not to position cars against busy backgrounds such as trees, buildings, or lamp posts because they can distract viewers from what you’re trying to show them about the car. Choose a simple background instead, such as a plain wall or the sky, for your car photos.

Remember to get close enough to show your subject in detail without getting too close. Most modern cameras have telescopic lenses to help you get closer by zooming in. Also, be on the lookout for backgrounds that complement your main subject and work with it, not against it.

Include People

If you want to add people to the picture, make sure they look at the car and are only in the picture if they enhance it. The exception to this rule is when you’re shooting a photo of someone next to their dream car, for example.


One technique that can help draw viewers into your photographic composition, especially when taking pictures of cars against a skyline or near trees or other objects, is leading lines. These could be roads, paths, railway tracks, etc. – any long straight line will do! Simply follow them with your camera lens to make your final image more dynamic and interesting for your viewers.

Use different lenses

Opt for an 80mm telephoto lens on a full-frame camera if you want to get close-up shots. For extra-wide shots, use a 20mm wide-angle lens. Prime lenses are good for low-light situations because they have larger aperture settings than zoom lenses. So try out f2.8 primes if available. In addition, you can move freely to move more cameras while taking photos without walking backward and forward. At the same time, using zoom lenses can be useful when photographing cars, especially vintage ones that might need repositioning several times after each shot for best composition/ lighting, etc.

Focal Lenght/ Aperture – Wide Angle of View

You may consider using a wide-angle lens to show a larger view or scene for dramatic effect if you’ve got the space behind your car, of course! Also, try out ultra-wide lenses such as fisheye, which give an even more distorted view. While they can be used to humorous effects when shooting cars, especially vintage ones, these lenses might not be ideal in all situations unless they’re used correctly. In short, the focal length is very important for car photography.


If you can’t afford a gimbal stabilizer for your camera, it might be worth trying to find one second-hand. These are very useful because they can eliminate camera shake caused by your hands, especially when using telephoto lenses or shooting at longer focal lengths where the slightest movement of the camera will result in blurred photos. Also, try experimenting with different shutter speeds, showing motion blur effects.


Using a tripod for car photography works particularly well, especially when shooting with longer focal lengths or low light conditions. Of course, your success at getting sharp shots will depend on the type of camera and lens you’ve got. But for me, the tripod is an essential accessory for my Sony a6000. In other words, it helps to produce consistently sharp images.


The flash for modern cameras for sony a7ii is great for taking low light levels. But it’s best to avoid direct front lighting with them because this can create flat-looking images and highlights any dust or dirt on the car. So instead, if you use your flash, it’s best to bounce/reflect it off a wall behind the car. Avoid using your built-in popup flash if you can, though, especially for daytime shots because they usually create too harsh and contrasty images with deep shadows.

Buyers Guide:

You should consider many factors about lenses while purchasing camera lenses to capture cars’ images. Unluckily, I had faced many problems during my first days as a professional photographer. That’s why I am writing this buyer’s guide to help novice photographers pick the Best lenses for car photography.

Focal length

The FL or focal length is the distance between the lens and the image sensor. So it can focus on an object at infinity. A shorter focal length will help create a wide-angle view. You can use it to show more details of nearby objects. Yet, it may make distant objects appear smaller due to their wide-angle nature. A longer focal length will reduce distortion effects. But it narrows your field of view. This can make it hard to photograph nearby objects without seeing them in the background. Having said that, if you are photographing car models or details, you are probably better off with short focal lengths, around 28mm or below.


The lens’s aperture is an adjustable opening that can change its size. Thus controlling how much light passes through it. A wider aperture allows more light to reach the sensor. So it is useful during low-light conditions or moving vehicles. Or even any other place where you can’t use your tripod. The f-number of the lens is related to its aperture.

A lower f-number (f/1.4) means a wider aperture, allowing more light into the camera. Meanwhile, higher numbers (f/16) mean a smaller aperture, and less light gets through. Yet, having a larger aperture also means less depth of field. As a result, the objects at a different distance from the camera will appear blurred due to shallow focus. This makes it difficult to take photographs of the entire car in focus.


A lens with a sturdy build can be an excellent choice when photographing moving objects. It will not cause much vibration or shaking when you click a picture. If your camera has a crop sensor, lenses are designated as EF-S lenses. So it will also fit perfectly on your camera. In addition, lenses with a large maximum aperture will help achieve shallow depth-of-field to isolate your subject.


The best photographs involve careful composition techniques. So it is important to take your time when photographing cars or any other large vehicle. If you want to isolate the car from the background, position your camera at an angle. So it is facing towards the side of the road rather than straight up or down.

Usually, The lens will eliminate distracting elements like trees and power lines or anything that might disturb you. As a result, you will not focus on your subject while not adding anything significant to your photograph. When taking pictures of whole cars, make sure you use either a standard lens (28mm) or a telephoto lens (300mm) at a minimum. Using a wide-angle lens can distort the car’s proportions and may not work with every vehicle.


The most common lenses designed for car photography include standard zoom, wide-angle zoom, telephoto zoom, prime lens, and macro lens.

Standard Zoom

The general-purpose standard zoom lenses are good for beginners because they have a large range of focal lengths and provide excellent optical quality even at wide apertures. Standard Zoom is not the best option to shoot with a shallow depth-of-field. But they can produce great images in the most difficult lighting conditions where fast shutter speeds are required. Most standard zoom lenses have an aperture of f/2.8 or lower.

Wide Angle Zoom

A wider field of view is achieved using a shorter focal length, often impractical due to geometric distortion issues. Some manufacturers have created wide-angle zoom lenses to achieve this effect without drawbacks. These lenses can zoom in without losing image quality. So, you can shoot with a shorter focal length while keeping the same aperture as your standard zoom lens.

Telephoto Zoom

A telephoto zoom is similar to a standard zoom, but it provides magnification at the telephoto end of the lens range. This results in a more pronounced compression effect, with distant objects appearing closer together than they are.

Prime Lens

A prime lens is another option for photographing moving vehicles. It has a fixed focal length and no zooming capabilities. Yet, this also means that you will have to change the camera’s position every time you get a different shot.

Frequently Asked Question

What are the best lenses option for car photography?

The best lens for car photography depends on where you take your photos and your subject. If you want to get a close-up shot, use a macro lens. Moreover, If you want to take a photo from far away, use a telephoto lens. If you want to take a photo from above, use a fisheye lens. Yet, If you want to take a panoramic view of the car and its environment, use an ultra-wide-angle lens.

What Should You use a macro lens for the small products?

A macro lens is a type of lens that can focus on objects very close to the camera. In some cases, the object can be so close that it appears larger than life-size or even fills up the entire frame of the picture. As a result, you can easily capture small products and other things.

Why is a 50mm lens a common choice for car photography? 

A 50mm lens is considered a good choice for car photography because it has the right focal length to take in the front of the car, which is often what you see when looking at it. If you shoot with this lens from far away, you can even get good shots of the driver and passenger side windows.

What is an ultra-wide-angle lens best for?

An ultra-wide-angle lens is a type that captures more of what’s in front of it. This makes it great for taking photos of the environment around the car, but not so good at shooting close-up images or detailed shots.

What are some disadvantages of a too wide lens on a full-frame sensor camera?

A too wide lens can result in extreme distortion, making straight lines look curved. This also gives the photo a unique artistic effect, but it’s not something you want when photographing cars since most of their detail comes from the sharpness and symmetry of their exterior design.

What Can You do with fisheye lenses?

A fisheye lens has a UWD lens that captures up to a 180° view of its surroundings. With photo editing software on your laptop, you can also add a fisheye effect to any photo. If you want to get a more dramatic effect, use your camera’s digital zoom and then process the image in post-production.

How to shoot good photos from within the vehicle itself instead of shooting from the outside of the vehicle?

The best way to shoot photos from within the vehicle itself is to open one of the windows and place your camera up against it. This gives a more intimate picture of what’s going on inside, but it will come at the cost of quality if you use a standard lens rather than something ultra-wide.


You have to consider a bundle of lens specs when taking car photos. These include the type of lens, where you take your photos, and what photo effect is needed. There are several lenses for your camera; You can buy even prosumer cameras with multiple lenses included in the price. Be sure you know the different lenses and how they affect your photographs. For example, if you take photos from within the vehicle, use a lens that allows great depth-of-field to get shots that clearly show the car’s interior.

Whichever lens you use for your car photography, always make sure it has a high aperture rating to ensure very little color fringing in your photos. You should also use good lighting to get good results no matter what kind of lens you are using. Finally, be aware of the weather situation before taking outdoor shots so that you can shoot in the best conditions possible.


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